profile
My passion for photography began in the 1970s with that moment of alchemy as my first print appeared in a tray of developer. Although I was studying geography at Bristol University I seemed to spend a good part of three years either taking photographs, printing in the student’s union darkroom or looking at books by Bill Brandt, Andre Kertez and Brett (rather than Edward) Weston. It seemed a good way to teach myself photography.
Subsequently I joined the BBC as a cameraman and developed a knowledge of the moving image. Working on a large variety of largely studio base shows I have had numerous camera supervisor credits including ‘One Foot in the Grave’, ‘Vicar of Dibley’ and ‘The Catherine Tate Show’. I also worked on a large number of episodes of ‘Eastenders’ including the 25th anniversary live episode for which I received an award from the Royal Television Society and the 30thanniversary week of live episodes. After leaving the BBC I persued a freelance career as well as being a guest tutor at the National Film and Television School for 10 years.
Photography always remained important to me and gradually the range of photographic books I looked at widened from Ansel Adams to Max Yavno. I would be hard pushed to say which were my favorites but they would have to include Paul Strand, the New Topographics and Lee Friedlander. As I am also a walker and climber it was natural I drifted towards the landscape genre of photography but a combination of workshops at Inversnaid and joining London Independent Photography and the RPS Contemporary Group reinvigorated my photography. As for the books that inspire me now they are often of modern artists such as Pollock or Rothko (see MR86 and Deleted Graffiti). No longer considering myself purely a landscape photographer when asked what sort of images I take I now often reply with a pause and then ‘ermm’.
Subsequently I joined the BBC as a cameraman and developed a knowledge of the moving image. Working on a large variety of largely studio base shows I have had numerous camera supervisor credits including ‘One Foot in the Grave’, ‘Vicar of Dibley’ and ‘The Catherine Tate Show’. I also worked on a large number of episodes of ‘Eastenders’ including the 25th anniversary live episode for which I received an award from the Royal Television Society and the 30thanniversary week of live episodes. After leaving the BBC I persued a freelance career as well as being a guest tutor at the National Film and Television School for 10 years.
Photography always remained important to me and gradually the range of photographic books I looked at widened from Ansel Adams to Max Yavno. I would be hard pushed to say which were my favorites but they would have to include Paul Strand, the New Topographics and Lee Friedlander. As I am also a walker and climber it was natural I drifted towards the landscape genre of photography but a combination of workshops at Inversnaid and joining London Independent Photography and the RPS Contemporary Group reinvigorated my photography. As for the books that inspire me now they are often of modern artists such as Pollock or Rothko (see MR86 and Deleted Graffiti). No longer considering myself purely a landscape photographer when asked what sort of images I take I now often reply with a pause and then ‘ermm’.